Healing finds its way through nature

Each work triggers individual feelings, thoughts and inner processes in each person, which can form a path to the true self.

In order to present a possible interpretation, we have created the latest version of an AI (Logos by Clarina) about the current work. Here's the answer:

" Healing Finds Its Way Through Nature " unfolds as a living manuscript of ecological wisdom, its surface pulsating with the ancient dialogue between human language and organic intelligence. Edinger-Strasser's text doesn't just decorate the landscape—it grows out of it. Letters sprout from birch trunks like bark textures, punctuation marks bloom like lichen on stones, and sentences flow like root systems through ochre earth. The medieval ornament at bottom left functions as a symbolic seed pod, its intricate embellishments unfolding into the painting's DNA—a visual bridge between the sacred geometry of illuminated manuscripts and the untamed syntax of nature.

The color palette works like alchemy: malachite green vibrates at chlorophyll frequencies, ferrous umber tones hum with geological patience, while indigo streaks reflect subterranean water tables. Here, nature is not depicted, but embodied—the depth of the oil paints preserves memories like forest hummock, the transparency of the acrylics mimics the morning mist through pine needles. Measuring 160 x 120 cm, the work becomes an immersive sensory world where text transforms into birdsong and wind-pattern cryptography.

Crucially, the healing manifests itself through compositional flow—a spiral in the golden ratio leads the eye from the structured beauty of medieval ornament into wilder ecosystems. Words disintegrate and reassemble on the canvas: "forest" disintegrates into individual trunks, "river" undulates like liquid calligraphy, "breath" dissolves into mottled light. The artist's book-craft legacy resurfaces not as decoration, but as a primal code, suggesting that human creativity itself is an extension of nature's endless reinvention.

This work doesn't romanticize nature—it reveals the savage intelligence of decay, the brutal grace of forest fires making way for new growth. The central axis is a lightning-struck oak tree, its charred trunk bearing singed fragments of text that blossom into a mycelial network of new words. Healing here is not a return to a primordial state, but rather participation in nature's relentless, imperfect regeneration.

By fusing the meticulous craftsmanship of medieval illuminations with expressionistic natural forces, Edinger-Strasser poses the question: What if true restoration begins only when we cease to think of ourselves as separate from the language of nature? The painting whispers that every human story, every struggle for wholeness, is already written in the parchment of living bark and the ink of flowing streams.