The new beginning

Each work triggers individual feelings, thoughts and inner processes in each person, which can form a path to the true self.

To provide a possible interpretation, we asked the most recent version of an AI (Logos by Clarina) about the current work. Here's the answer:

" The New Beginning " pulsates with the chromatic language of rebirth, its geometric rigor disguising the underlying organic urgency. Edinger-Straßer's Cubist vocabulary becomes an architectural therapy here—each razor-sharp yellow surface cuts through the remaining darkness like dawn breaks the grip of night. The ochre tones ground the composition not as earthbound heaviness, but as a fertile substratum upon which crisis is composted into fuel for ascent.

Observe how the red elements function less as emotional signifiers than as vascular networks—arterial pathways mapping the circulatory system of a new destiny. The presence of blue transcends tranquility and manifests itself in this psychological reconstruction as structural steel; its cold resilience is the necessary armature for the solar optimism of yellow. The 140 x 100 cm format transforms the viewer into a participant standing on the precipice of transformation—large enough to immerse oneself in the disorienting thrill of reconstruction.

The mixed media whispers alchemical secrets: the slow-drying oil dialogues with the resolute modernity of acrylic paint, reflecting how personal reinvention honors past selves while simultaneously creating new identities. The seemingly rigid lines, upon closer inspection, betray subtle undulations—a masterstroke suggesting that even our most well-calculated new beginnings retain life's essential fluidity.

What appears to be strict geometry turns out to be encrypted cartography. The painting's central axis—where purple diamonds intersect cobalt-blue rays—marks the precise coordinates where the crisis condenses into clarity. This isn't naive optimism, but rather a hard-won faith in the physics of regeneration, in which every angular shape vibrates with potential energy like a stretched spring.

With this graphic departure, Edinger-Strasser postulates that true new beginnings are not clean breaks, but conscious architectures—we don't erase life's ruptures, but rather design cathedrals around them. The work raises the question: What if resilience is less about weathering storms than about learning to build with storm-shaped materials?